Indeed, of all the region only the beach stirred with activity. Fifty yards away the Mediterranean yielded up its pigments, moment by moment, to the brutal sunshine below the balustrade a faded Buick cooked on the hotel drive. Out there the hot light clipped close her shadow and she retreated–it was too bright to see. When she walked she carried herself like a ballet-dancer, not slumped down on her hips but held up in the small of her back. When they were installed on the ground floor she walked into the glare of the French windows and out a few steps onto the stone veranda that ran the length of the hotel. I’ll wire right away for steamer tickets.”Īt the hotel the girl made the reservation in idiomatic but rather flat French, like something remembered. They wanted high excitement, not from the necessity of stimulating jaded nerves but with the avidity of prize-winning schoolchildren who deserved their vacations. They both spoke cheerfully but were obviously without direction and bored by the fact–moreover, just any direction would not do. “I want to go home anyhow,” the girl answered. “Something tells me we’re not going to like this place.” Her body hovered delicately on the last edge of childhood–she was almost eighteen, nearly complete, but the dew was still on her.Īs sea and sky appeared below them in a thin, hot line the mother said: Her eyes were bright, big, clear, wet, and shining, the color of her cheeks was real, breaking close to the surface from the strong young pump of her heart. Her fine forehead sloped gently up to where her hair, bordering it like an armorial shield, burst into lovelocks and waves and curlicues of ash blonde and gold. However, one’s eye moved on quickly to her daughter, who had magic in her pink palms and her cheeks lit to a lovely flame, like the thrilling flush of children after their cold baths in the evening. The mother’s face was of a fading prettiness that would soon be patted with broken veins her expression was both tranquil and aware in a pleasant way. In another hour the horns of motors began to blow down from the winding road along the low range of the Maures, which separates the littoral from true Provençal France.Ī mile from the sea, where pines give way to dusty poplars, is an isolated railroad stop, whence one June morning in 1925 a victoria brought a woman and her daughter down to Gausse’s Hotel. Merchantmen crawled westward on the horizon bus boys shouted in the hotel court the dew dried upon the pines. When he had gone, beach and bay were quiet for an hour. Before eight a man came down to the beach in a blue bathrobe and with much preliminary application to his person of the chilly water, and much grunting and loud breathing, floundered a minute in the sea. In the early morning the distant image of Cannes, the pink and cream of old fortifications, the purple Alp that bounded Italy, were cast across the water and lay quavering in the ripples and rings sent up by sea-plants through the clear shallows. The hotel and its bright tan prayer rug of a beach were one. Now, many bungalows cluster near it, but when this story begins only the cupolas of a dozen old villas rotted like water lilies among the massed pines between Gausse’s Hôtel des Étrangers and Cannes, five miles away. Lately it has become a summer resort of notable and fashionable people a decade ago it was almost deserted after its English clientele went north in April. Deferential palms cool its flushed façade, and before it stretches a short dazzling beach. On the pleasant shore of the French Riviera, about half way between Marseilles and the Italian border, stands a large, proud, rose-colored hotel. Through verdurous glooms and winding mossy ways. Save what from heaven is with the breezes blown
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It takes us all the way from a major league baseball diamond to two former big leaguers, both damaged in different ways, facing each other in folding chairs in small town ball park. Paul’s quest and the relationships he discovers and builds along the way are what Calico Joe is really all about. Paul, however, finds plenty of opposition to the proposed meeting – from his father and Joe Castle’s very protective family and community. With Warren– by now on wife number 6 and just as dour as ever – dying of cancer, Paul becomes determined to arrange a redemptive meeting between Warren and Joe. Years later, Paul still feels personal and family guilt. Paul, who has been berated by his father for not knocking down hitters when he’s on the Little League mound, knows and dreads what’s coming when Calico steps in for his second at bat– and is among the most passionate non-believers when Warren later denies he hit Castle intentionally. In the stands for the game is Warren Tracey’s 11-year-old son Paul, who idolizes Castle as much as he dislikes his own often absent and always overbearing father. Known for an “old school” attitude, a fierce temper and a penchant for hitting batters, Tracey takes his revenge in Castle’s next (and last) at bat with an intentional and nearly fatal bean ball that puts an end to both their careers. Unfortunately for Calico Joe Castle, his last home run comes in his first at bat against Warren Tracey, a 34-year-old journeyman pitcher trying to hang on with the Mets – not a very good hurler and even less of a father, husband, friend or team mate. Castle homers in his first three major league at bats and continues on a tear that sees him with 21 home runs and an average near the. The story initially centers on Joe Castle – a hard hitting 21-year-old phenom from Calico Rock, Arkansas, who joins the Cubs during the 1973 season. While John Grisham is best known for his detailed legal thrillers, he has set that aside to pen a baseball-focused tale of relationships and redemption that gives readers a look into the heart and soul of an “old school” hardballer, his family and the ultimate victim of his approach to life and the national pastime. Still, if the suits at EA (which currently holds the Crusader license) are looking for a franchise to reboot, they could certainly do worse than dig the Silencer up for one last mission. It's impossible to play without wishing it could have had the flexibility of 3D, even knowing that the technology of the day would never have been up to the challenge. You get plenty of gadgets, but it's hardly Deus Ex. There's a bit of stealth, but you're not going to play it as a stealth game. Your goal is to get it to hit the button shown on the second screenie by raising and lowering the platforms at the right time with the switch i marked in the screenies. It's not fast paced and fluid enough to be a great action game, but nor do the extra bits it bolts on add enough to make it a hybrid. In the first screenie, that switch you said does nothing actually activates that blue laser and it bounces back and fourth. Like health packs fixing up rockets to the face, these days we're just inured to the silly.Ĭrusader's primary weakness is that it falls between two different genres. Oddly, it's less noticeable now than it was at the time. It still feels right to try, though, if only to set a good example.īesides, if not for the civilians, who'd leave all those convenient passwords and keycards lying around? Crusader wasn't the first game to use the “everyone is a forgetful cretin who should be fired immediately for leaving vital codes less than two steps from the bloody locked door” school of security, but it remains one of the worst offenders. In fact, if you kill everyone, the game doesn't care. 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GREG: I came up with the name Greg right away because my mom always wanted to have a son named Greg and she never did. Many fans wrote to NPR wanting to know how Kinney came up with the characters' names: We received hundreds of e-mails from kids who wanted to have their questions answered for once! Kinney answers some of those questions below. Warning to those who have never read Diary of a Wimpy Kid : These questions come straight from our youngest listeners and Kinney's biggest fans. Kinney writes the incredibly successful series Diary of a Wimpy Kid, about smart-mouthed middle-schooler Greg Heffley, who has only one real friend because he's, well, kind of a sad sack - think modern-day Charlie Brown. After college, he wanted to be a newspaper cartoonist, but after sending out his work and receiving a pile of rejection letters, he says, he realized he didn't have the artistic talents to draw at that level: "So what I decided to do was write and draw as a seventh-grade boy, because that's where I maxed out."Īll Things Considered enlisted help from kids around the country for an interview with children's book author Jeff Kinney. Kinney didn't always intend to write about middle school life. "Greg can't win, because that's Charlie Brown trying to kick the football and not kicking it. "I think most of Greg's unhappiness, he brings upon himself," the author explains. As Kinney tells Michele Norris, his character isn't a bad kid - just a "not-fully-formed person." Greg is the smart-mouthed sad-sack protagonist of Jeff Kinney's Diary of a Wimpy Kid book series ( read an excerpt). For now, one particularly meek kid named Greg Heffley is burning up children's book best-seller lists. 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Malone (Hal Holbrook) about a benediction for that night's centennial ceremony, he relates a ghastly tale discovered in his grandfather's journal, which details the town fathers' decision to murder a group of lepers who had planned to build a commune outside of Antonio Bay. As the day progresses, a grim series of events paints a decidedly unpleasant picture of Antonio Bay's founders, and foreshadows the ghostly retribution that awaits the town's present-day residents. The news reaches the wife of one of the fishermen, city councilwoman Kathy Williams (Janet Leigh) and local boy Nick Castle (Tom Atkins), who takes a trip out to the abandoned boat to investigate, accompanied by teenage drifter Elizabeth Solley (Jamie Lee Curtis). That morning, news of their disappearance is relayed to the town by Stevie Wayne (Adrienne Barbeau), owner and operator of the local radio station. Seeming to appear from nowhere and emitting a ghostly glow, the fog surrounds a small trawler filled with drunken fishermen, who glimpse the vague outline of a decrepit sailing vessel before being brutally killed by shadowy figures brandishing hooks and swords. Meanwhile, as the clock strikes midnight on the fateful anniversary of that disaster, eerie phenomena begin to plague the town as a dense fog bank creeps toward the bay. For his final tale, he recounts the legend of the Elizabeth Dane - a ship which crashed 100 years ago against the very rocks upon which the children are sitting. Machen (John Houseman) spinning ghost stories for a group of local children. Carpenter sets the mood in the film's prologue, which features grizzled old sea salt Mr. The end result was The Fog, a spooky romp about a dark secret that returns to haunt the Pacific fishing community of Antonio Bay on the 100th anniversary of the town's charter. Following the phenomenal box-office success of his seminal horror classic Halloween, director John Carpenter teamed up with producer Debra Hill for a second independent horror project, this time in the mode of an old-fashioned ghost story. Stuck between a desolate future and a present where he is largely ignored, it is now up to our accidental hero to find out what has happened and how to prevent it in order to save mankind. The mysterious man was right: 40 years into the future mankind has become extinct. As the man draws his last breath, he hands Joe a portable time travel device to aid him on his quest.It isn’t long before Joe activates the device and is confronted by the truth. The man warns him that a terrible event is about to occur and pleads him to save mankind. This is all about to change.One morning while tending the floors, Joe is suddenly confronted by a mysterious dying man who is seemingly appearing out of nowhere. In fact, the only thing remotely remarkable about him is exactly how much he conforms to the median of the hypothetical everyman, and up until this point, Joe’s life hasn’t exactly been biography material. Average height, average weight, average IQ. It’s been like this for years, going from one soul-devouring job to the next.Our protagonist is Joe in more than just name. Working a dead-end attendant job making sure the building is as spotless as the suits walking the halls. Missing an item you need Check the other time zone. You just click and go, and there’s also a small inventory. It’s a point and click adventure in a very traditional style, with a cross-shaped cursor like the old SCUMM games, but without any sort of verb system. Door blocking your way Just jump forward in time and it'll be hanging off its hinges. The Silent Age is a 10 dollar game that’ll take you a few hours to complete, from small developer House on Fire. More often than not, it's just used to get you past an obstacle. All the winds of change are doing here is blowing leaves all over Joe’s newly-swept floor. Gameplay-wise, The Silent Age gets a lot of mileage out of Joe's time device. The Silent Agefunctions on a simple point and clickinterface, in which players can interact with specific objects when the cursor is over them, and must solve a series of puzzles to advance, mainly by finding items needed to overcome obstacles. The winds of change are certainly blowing over the country.Somewhere in the big city, in a tall, faceless government building someone left a window open. Environmentalists, the female liberties movement, and on the dance floors an entirely different kind of movement is overtaking the underground clubs. Meanwhile the Cold War is more than lukewarm and a real one is going on overseas. Flipflops, English leather and bandanas are the height of fashion. Environmentalists, the female liberties movement, and on the dance floors an entirely It’s 1972.
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